DATA BASE REF: C/C 2018
CASTOR
CHURCH SAXON WALLS
COMMENTS
from book by Edwin Smith, G Hutton & Olive Cook, English Parish Churches,
Thames and Hudson 1997
Page 37
“Norman Romanesque is conspicuous by its mass and solidarity. Norman towers –
often enriched by arcading as at Castor, Northamptonshire, …are impressively
broad and heavy.”
Page 43 “
Another set of contrasts can be seen in the central tower of the cruciform
Norman church at Castor, Northamptonshire: a typical piece of Continental
Romanesque work, massive, with elaborately carved and coursed stone panels and
lights, rich groundwork of chevron-like panelling above the lower arcade, and
fish-scale ornaments above. This is capped with an abnormally stocky Early
English octagonal spire rising from a fretted stone parapet of later date; but
if you look closely at the stone-coursing of walls and tower you see old Saxon
work in the former, and fine late Norman jointing (with thin lines of mortar)
in the latter. Nor are castor and New Shoreham singular in portraying so
clearly this great transition and transformation of the English people and
their churches between the tenth and thirteenth centuries. The story of that
great change – as great as that from ancient rural England to modern industrial urban England – is writ large in
parish churches.
Page 44
note 19 St Kyneburgha, Castor, Northamptonshire: central tower
“This
thrusting image embodies in the weather-resisting Barnack limestone of the
district many characteristics of Norman church-building. The tower is the
central feature of a true cruciform design (consecrated, an inscription
records, in 1124) and combines mass with rich ornament. The whole surface of
the structure above the roof-line corbel-table is covered with scale patterns
and varieties of rhythmic arcading. It is typical that the central three-light
window of the lower stage should be more deeply recessed and more elaborately
moulded than the blind flanking arches (though with the same billet motif), and
that the three bell-openings should be flanked by blank arcades.
The
openwork parapet and short broach spire were added in the fourteenth century.